SHE-HULK EPISODE 9 & SERIES REVIEW (SPOILERS)

 

            I can’t decide if the She-Hulk finale was pure brilliance or a genius cop-out.

On the other side of the glass.

            Skipping the usual episode recap, we got one done as a remake of the intro to The Incredible Hulk TV series (which was brilliantly handled). Picking up from last episode’s cliffhanger, we find Jen in jail and taking a deal to never be She-Hulk again for her release. With her reputation ruined and job lost, she decides to go to Emil’s (Tim Roth) sanctuary for a bit. However, she happens to pick the night when The Intelligencia is holding a gathering there. It’s discovered that Todd Phelps (Jon Bass), the creepy tech bro Jen had a horrible date with one time and who kept popping up during the show, was the founder of The Intelligencia and had stolen her blood to give himself Hulk powers. And then Titania (Jameela Jamil) crashed the party. And then Hulk (Mark Ruffalo) joined in.

Smashing those 4th walls like it's Matt Murdock.

            And then that’s when everything REALLY went off the rails. Echoing moments from the original run of The Sensational She-Hulk comic series, Jen breaks out of the show through the Disney+ menu to head to the Disney studio lot to confront the She-Hulk writers about the insanely overcomplicated finale. That leads her to confront the one in charge at Marvel Studios: Kevin. No, it’s not Kevin Feige making a cameo; rather, it’s a GLaDOS-like artificial intelligence named K.E.V.I.N. (Knowledge Enhanced Visual Interconnectivity Nexus). Jen proceeds to offer up common fan complaints about how MCU projects all have similar endings or too many plots converging at once.

"Now say: 'The cake is a lie.'"

This resulted in K.E.V.I.N. tossing out his “exciting ending” in favor of a new, quicker one. Todd and his cronies are being arrested; Emil is going back to jail for violating his parole; Daredevil (Charlie Cox) returns to help out too late and gets roped into a family barbecue; Hulk returns (again) at the barbecue and introduces his son, Skaar (Wil Deusner); Jen is a lawyer again prosecuting Todd and declaring she’ll take on guys like him in the courtroom and as a superhero; and Wong (Benedict Wong) returns to bust Emil out to stay at Kamar-Taj.

"Okay, the MCU--I have some notes."

Okay, to my conflict. Every reaction video I’ve seen loved the ULTIMATE 4^th wall break of Jen leaving her show for the Marvel Studios Office, while all the ones who have hated on this show since it came out and some comic guys have not. I, personally, thought it was great. I found every bit of that hilarious; from the sudden Disney+ menu screen to the little faux baseball cap on K.E.V.I.N.’s “head” mimicking Feige’s. This is probably the most I’ve laughed out loud for the entire season. I thought it was a perfect homage to all the times Shulkie was about to step out of her comic to deal with then-scribe John Byrne personally. Also, Tatiana Maslany was all of us, asking the big questions like “X-Men when?” This ending at least made it clear that Marvel has been hearing fans, acknowledge their flaws, and possibly hinting that they’re going to improve going forward (with upcoming schedules shifting and the format of planned projects being changed).

"You want X-Men? I got you, boo."

But then we get the ending. Or, lack thereof, as the series once again attempted to subvert expectations. Jen’s legal troubles? Gone. The whole Josh/blood-stealing plotline? Gone. The Intelligencia? Gone. Titania’s unhealthy obsession with Jen? Gone. For the entire season, later episodes had slowly connected to things established in earlier ones while building up an ongoing subplot even slower than that. But they decide to pull a Monty Python and give us a cop-out ending where everything is dealt with offscreen and hunky dory. We don’t see Jen reassemble her life, despite going off on K.E.V.I.N. about the stakes of the show being her life falling apart just as she was embracing being a Hulk. Titania became pointless. The Intelligencia became pointless. There was no payoff for anything. We didn’t get to see Jen complete her arc. I mean, give us the conclusion to something we’ve been watching! The Skaar reveal, I don’t mind so much because we know there’s a World War Hulk project in development and will likely fill in the gap between the episodes as this did with Shang-Chi.

"The X-Men movies had a blue mutant restriction...I think we need to talk about a green gamma restriction here."

Okay, overall thoughts. The series as a whole was a bit uneven. It was always entertaining, but didn’t always reach the levels it should have. Maslany slays as the Jade Giantess and has always been the highest point of the show. I absolutely love her father (Mark Linn-Baker) and how supportive he is whenever he appears (best MCU dad!). Many of the side characters were fun, but woefully underutilized due to the short runtime of the episodes. Touted as a “legal comedy”, we really didn’t get a lot of the legal side (and, depending who you talk to, some would say not much of the comedy, either) but there were some interesting cases in what we did get. A lot of deep cut characters made their MCU debut on the show, which is something I hope continues to happen. Let’s get audiences familiar with more than just the A-listers. I had a good time with the show, but it just didn’t feel like any of the ideas were allowed to fully bake. I hear there is a season 2 coming and I hope that, while the tone is kept exactly the same, they make things a bit tighter on the storytelling side. Break all the 4^th walls you want, just give us a story in the process!

"Heard you were doing a Fast and Furious ending. So I brought more family."

One last point: it’s no secret that this series took a lot of shots at toxic fanboy trolls. And, every step of the way, they accurately predicted exactly was they would say and post about the show (especially since this show was done about a year before its release). And, of course, you’ve got the YouTube videos out there saying “they hate men!” or claiming victory for “getting in their heads.” And then you’ve got the people who take umbrage with interviews where cast and crew say this was largely the point—to call these so-called “fans” out. Here’s my take: if that bothered you, then you’re probably one of the guilty ones. I’m a man, and I had no issue with the depiction of men on the show or them stepping in front of the toxicity often attracted by women-led and diverse projects (that’s not to say there isn’t good-faith criticism to be had on these projects; just that it isn’t generally the criticism that ends up being levied). And you know why? Because they were right. Every. Single. Time. You don’t like something? That’s fine. Move on. Why would you stick around? Just to get ammunition to complain? C’mon, life’s too short and, to quote Wong: “We’re truly in an age of peak TV.” Find your own yum instead of yucking everyone else’s.