SHE-HULK EPISODE 7 REVIEW

 

            So, yeah, Jen has the worst luck with men. That’s just, like, an unfortunate truth at this point. If you hadn’t guessed by that vague statement, Josh (Trevor Salter), the dude from the wedding that seemed very much into Jen and not She-Hulk, ended up disappointing us all (although, honestly, he was suspect from the start). If you want to know how exactly, you’ll need to watch the episode.

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            Otherwise, this episode had a singular focus. Jen gets called up by Blonsky’s (Tim Roth) parole officer to accompany him to check out why Blonsky’s inhibitor stopped working. Jen gets stranded there and ends up experiencing what Blonsky’s little paradise has to offer; which allowed her to gain some introspective into herself and start to make some peace with the dichotomy of her existence. I can’t delve much deeper into that without spoiling everything that happens, because that’s all that happens. Which is a lot more entertaining than it sounds, believe me!

Blonsky's gang. But, y'know, not actually a gang. In case the parole board asks.

            We got introduced to a host of new characters, including Man-Bull (Nathan Hurd), El Aguila (Joseph Castillo-Midyett), Saracen (Terrence Clowe) and Porcupine (Jordan Aaron Ford). These guys provided the bulk of the episode’s humor, with their quirkiness and interactions with each other. While not as elaborately done as Ms. Marvel’s, it was fun to see the use of text messages in the episode. Also, the “No Service” gag got me laughing. Plus, episode/comic writer Zeb Wells obviously heard my complaint about the “Previously On” segment by throwing a gag about it in the episode. So, thank you, Zeb! (Obviously I’m kidding—these episodes were done long before I ever decided to start up this blog).

Existential dread.

            She-Hulk has a slowly progressing overlying plot that often gets overshadowed for some by the seemingly disconnected “days in the life of” approach the main stories seem to take. But each episode has been gradually laying pieces as the show chugs along to its finale, even if they aren’t immediately evident. It also has been continually subverting expectations, making it hard to predict what’s going to happen which is, frankly, refreshing. However, there is an odd mixed message as the show simultaneously tries to say that both parts of Jen matter while driving home the point that Shulkie is preferable to just Jen. A bit of a strange dichotomy there.